Now that you've had a little smile, let's get back to this post …
I've mentioned the topic of UFOs in a few previous posts. For those of us who enjoy quilting and stitching objects, this means "unfinished fabric objects" or, more simply, "unfinished objects." Even though I try not to have too many unfinished projects around, sometimes they accumulate. Sometimes I am in the midst of one project when some other project comes along that requires my attention - perhaps something that is to be a gift or some other type of seasonal project. Other times, I get to a part that I find rather tedious or find that I need a given resource, work surface, and/or other condition to keep the project moving along. The project that I will be sharing in this post is one of the latter.
Three years ago, I was introduced to wool appliqué at a winter quilt retreat sponsored by Village Dry Goods in Brigham City. In addition to the projects that were included as part of this retreat, we had the opportunity to purchase other kits featuring designs by the featured teacher, Lisa Bonjean of Primitive Gatherings. I quickly finished a table mat that included pumpkins, and then eagerly began work on the project that is the topic of this post.
The work began without too much trouble, I started with the houses. Even with the doors, roofs, windows, and chimneys, they were fairly easy and straightforward to complete.
The next pieces to include were the four green hills. They were pretty easy to add as well. I was even starting to wonder if I was working through these new projects a little too quickly. Then … it was time to start working on the trees. The brown tree trunks were narrow, long, and harder to keep in place, even with the fusible backing. I started stitching them down with one shade of brown, decided I didn't like it, and switched to another color. Another challenge with the tree trunks is that I really needed to be still and have a flat work surface. This meant that the project was no longer amenable to toting around to work on while traveling. I also got myself intimidated by the thought of having to draw the branches so that I could outline stitch them and add lazy daisy accents. I also didn't feel eager about working on the relatively small sheep bodies and the even smaller sheep heads (the heads were smaller than a dime). So, this project sat for almost 3 years.
Enter 2016 - and a time for setting quilting resolutions. Last year, my resolutions focused around organizing my quilting resources with a new sewing machine desk/cabinet and a closet makeover. This year, my focus has been to finish projects, specifically those that I have started and then set aside for whatever reason. Around the start of February, it was time to pick this one up again. My resolve was to take it on one small step at a time. First of all, I had to tackle the tree trunks. Step two was to get over my issues with having to free hand draw the branches based on the example and to mark the locations for the lazy daisy stitches. I really didn't mind the stitching; my issues were with being able to replicate lines that would resemble willow tree branches and leaves.
Finally, it was time to take on the sheep. One of the big challenges with very small pieces such as the sheep heads is to be able to trace and cut them out with sufficient detail so that the shapes are recognizable. Here's a closer look at one pair sheep.
Although this post relates to a sewing project, some of the principles relate to the spiritual walk as well. Last summer, I shared some perspectives from a Beth Moore Living Proof Live weekend. Much like Peter, it's easy to get distracted and weighed down by the circumstances of life that can detract our focus. Perhaps that is why the writer of Hebrews reminds us to set aside these encumbrances and to fix our eyes on Jesus.
I've mentioned the topic of UFOs in a few previous posts. For those of us who enjoy quilting and stitching objects, this means "unfinished fabric objects" or, more simply, "unfinished objects." Even though I try not to have too many unfinished projects around, sometimes they accumulate. Sometimes I am in the midst of one project when some other project comes along that requires my attention - perhaps something that is to be a gift or some other type of seasonal project. Other times, I get to a part that I find rather tedious or find that I need a given resource, work surface, and/or other condition to keep the project moving along. The project that I will be sharing in this post is one of the latter.
Three years ago, I was introduced to wool appliqué at a winter quilt retreat sponsored by Village Dry Goods in Brigham City. In addition to the projects that were included as part of this retreat, we had the opportunity to purchase other kits featuring designs by the featured teacher, Lisa Bonjean of Primitive Gatherings. I quickly finished a table mat that included pumpkins, and then eagerly began work on the project that is the topic of this post.
The work began without too much trouble, I started with the houses. Even with the doors, roofs, windows, and chimneys, they were fairly easy and straightforward to complete.
The next pieces to include were the four green hills. They were pretty easy to add as well. I was even starting to wonder if I was working through these new projects a little too quickly. Then … it was time to start working on the trees. The brown tree trunks were narrow, long, and harder to keep in place, even with the fusible backing. I started stitching them down with one shade of brown, decided I didn't like it, and switched to another color. Another challenge with the tree trunks is that I really needed to be still and have a flat work surface. This meant that the project was no longer amenable to toting around to work on while traveling. I also got myself intimidated by the thought of having to draw the branches so that I could outline stitch them and add lazy daisy accents. I also didn't feel eager about working on the relatively small sheep bodies and the even smaller sheep heads (the heads were smaller than a dime). So, this project sat for almost 3 years.
Enter 2016 - and a time for setting quilting resolutions. Last year, my resolutions focused around organizing my quilting resources with a new sewing machine desk/cabinet and a closet makeover. This year, my focus has been to finish projects, specifically those that I have started and then set aside for whatever reason. Around the start of February, it was time to pick this one up again. My resolve was to take it on one small step at a time. First of all, I had to tackle the tree trunks. Step two was to get over my issues with having to free hand draw the branches based on the example and to mark the locations for the lazy daisy stitches. I really didn't mind the stitching; my issues were with being able to replicate lines that would resemble willow tree branches and leaves.
Therefore, since we have so great a cloud of witnesses surrounding us, let us also lay aside every encumbrance and the sin which so easily entangles us, and let us run with endurance the race that is set before us, fixing our eyes upon Jesus, the author and perfecter of faith, who for the joy set before Him endured the cross, despising the shame and has sat down at the right hand of the throne of God. For consider Him who has endured such hostility by sinners against Himself, so that you will not grow weary and lose heart.
Hebrews 12:1-3
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